[-empyre-] Footnotes -New Language (Pierce and Code sidebar)
I thought I would try to add footnotes to these so people could get a
better idea of some very different approaches to digital writing...
In many cases this speaks to the continuum between the digital and
the physical... subjectobject unity.
See Osmose
1) http://www.immersence.com/publications/char/os_notes02.htm
The text environment is one of a number of virtual spaces...
When I encounter a meta text in Char Davies Osmose that is the code
of the work as presented as meta- architecture (literal virtual
architecure --- a pun on architecture), the experiential nature of
the environment, in particular the physical interface she has
designed to enable one to navigate the virtual environment becomes
enfolded phenomenologically with the layers of meaning in the text.
All of Peirces modes - firstness, secondness and thirdness co-mingle
and change in relation to ongoing navigation of this virtual space.
Yet here the environment also enables a charged field of meaning to
become part of this layering. The quixotic nature of the ongoing
subtle shifts between firstness, secondness and thirdness seem to
even transcend the idea that each level is becoming the other (as
Marcus suggests) in terms of this larger mutable virtual
environmental scheme which also signifies. This constellation of
signs, each changing at its own velocity in relation to the
participant's movements, seems to move to a heightened level of
layering of intersemiotic modes. Might we work on a new word that
points at this advanced level of intersemiotic relations. ---
What would Pierce have encountered that would be relevant to
compare to such an environment? Here are some potential terms ---
hyperintersemiotic; transintersemiotic (did Marcos Novak already
coin this?) supra-intersemiotic? Intra-semiotic?
2) See Warren Sac
Street Stories
http://hybrid.ucsc.edu/SocialComputingLab/Projects/StreetStories/Description/index.html
See also his homepage - http://hybrid.ucsc.edu/SocialComputingLab/projects.php
The Corporeal Stenographer: Language, Gesture, and Cyberspace
I also begin to think about new forms of locative media that depend
on landscape and physical navigation, lending levels of meaning to
the digital text (context)? Hyperecosemiotic?
See also the work of Teri Rueb http://www.terirueb.net/flash/TeriRueb.html
3)Tiffany Holmes - Littoral Zone
http://www.ingentaconnect.com/content/mitpress/leon/1999/00000032/00000005/art00007
I think about media- behaviors and a-life parameters/potentialities
giving text new kinds of electronic "life". Artificial-Semiotic-life
- a-sem-life
see also the work of John Maeda's group at mit concerning text behaviors...
http://acg.media.mit.edu/
4 See Billseaman.com texts E-Phany Physics
I think about physics and artificial physics (E-phany physics as I
coined it) as it is conjoined with texts to present new kinds of
reactive and intra-active environments. E-phanysemiotics
5) See Writing Machines by N. Katherine hayles
also her concept of "Flickering Signifiers"
http://mitpress.mit.edu/e-books/mediawork/
She writes about Lexia to Perplexia
See Talan Memmott's Lexia to Perplexia as an introduction into Creole
http://www.uiowa.edu/~iareview/tirweb/hypermedia/talan_memmott/
See David Small
http://www.davidsmall.com/
the Illuminated Manuscript ; Talmud project; Food for Thought
Hayles uses the term "Creole" to talk about texts that intermingle
code and poetic text ---
Yet what happens when this is extended into the phenomenological
space of physical computing. An object|creole enfolding is generated.
6) Lynn Hershmann Leeson
http://www.fondation-langlois.org/html/e/page.php?NumPage=167
What happens when the machine writes the text in an autonomous
manner that is reacting to various forms of interface input? Lynn
Hershmann's Agent Ruby? Does the fact that it is a machine change
the meaning in a subtle manner --- is there a word for this?
Turingtestmatic writing?
7) Eduardo Kac
see Genesis
http://www.ekac.org/geninfo2.html
Kac wrote a bio-code via the computer that was made physical and
transcribed back into a text --- what kind of word points at this
accretive layering of meaning - digitaccretive?
8) sharon Daniels
Her writing on the subject http://arts.ucsc.edu/sdaniel/further/papers.html
See Narrative Contingencies -
http://arts.ucsc.edu/sdaniel/further/narrative_contingencies.html
see also subtract the sky
http://arts.ucsc.edu/sdaniel/further/subtractthesky.html
Works where all variables are supplied by the participant and are
then formed by the code into a new work--- participant driven
semiosis?? I-semiosis?
9) See Friedrich W. Block -- the tee shirt for p0es1s (he mentions
the shirt in a post on this list...)
Or works that actually are auto destructive in terms of meaning
production --- the virus t-shirt code? Diss-semiosis
Erasure...
see also Adriana de Souza e Silva and Fabian Winkler
http://www.eliterature.org/state/work-deSouzaA.shtml
b
--
Professor Bill Seaman, Ph.D.
Department Head
Digital+ Media Department (Graduate Division)
Rhode Island School of Design
Two College St.
Providence, R.I. 02903-4956
401 277 4956
fax 401 277 4966
bseaman@risd.edu
http://billseaman.com
http://www.art.235media.de/index.php?show=2